re:sound vs socan

how does socan work, Book Description: In the summer of 2012, the Supreme Court of Canada issued rulings on five copyright cases in a single day. SOCAN represents composers, authors and publishers. Live Performer(s) Fee Calculator Streaming/Internet Fee Calculator Fee Calculator Smartphone/CD/MP3/Album Fee Calculator Fee Calculator Satellite Radio/Sirius Fee Calculator Fee Calculator Television Instead of tracking every single person or company down to get permission to play just one single song, you can report what you have played to SOCAN and Re:Sound (separately), pay a fee to each organization, and SOCAN will handle paying royalties to publishers, lyricists, songwriters, and composers while Re:Sound will pay royalties to recording artists and record labels. SOCAN / ReSound : SOCAN and ReSound is an organization that administers the communication, writing and performing rights of copyright-protects music when it is in use in Canada. The joint venture aims to simplify performance rights music licensing by creating a single portal for businesses to pay for the licenses they need to publically play music. On May 8, 2019, Re:Sound and SOCAN announced that they are collaborating to form a new joint venture called Entandem. SOCAN Repertoire. Enter in any Album, EP or Music Producer category here, and you’ll receive a free song submission coupon with your receipt, which is good for use throughout the submission period.. Self-released SOCAN members and members signed to independent labels are … Re:Sound How do I know if payments should be made to SOCAN? These fees are often shown as separate line items on venue rental agreements. Entandem will benefit music rights holders – the songwriters, composers and music publishers who earn money from compositions, and the artists and record companies who make recorded music. Looking for awesome Sound Effects for … SOCAN vs. Re:Sound. The new joint venture, which builds In order to broadcast legally, you need a license with both of those PROs. Forgot account? If only live music (and not recorded music) is being played at the event in question, then Re:Sound tariffs would not be applicable. When technology works intuitively, you barely notice it is there. SOCAN represents composers and music publishers while Re:Sound represents artists and record companies. 5.J – Live Music Concerts: fee per event is 0.1558¢ multiplied by the capacity of the venue, subject to a minimum $15 fee per event. Tariff No 6.B – Use of Recorded Music to Accompany Physical Activities: Various annual or per admissions fee charged depending on the activity (e.g. Society of Composers, Authors and Music Publishers of Canada, Live365 Enters Canada With Licensing From SOCAN and Re:Sound, Sheila E. Teases New Film About Her Time with Prince. Understanding SOCAN, Re:Sound & The Cost of Music Form of Music SOCAN Licence Needed? The exception under Section 69(2) is limited to traditional radio sets, and does not extend to internet radio. @deeassia: olatunji - jiggle it. Disclaimer: This blog post is not intended as legal advice. Broadcast Music, Inc. represents over 800,000 members (songwriters and publishers) and over 10.5 million compositions. These exemptions are set out in Section 32.2 and 32.3 of the current Copyright Act, which states: “32.2 … SOCAN and re:sound collect fees and tariffs to distribute to artists in Canada. According to the organization's website, the other PRO (Re:Sound) has a slightly different business model. Published: May 10, 2019 @ All About Jazz I thought that would be the case, but what confuses me is that several of the collective societies claim to collect royalties beyond Canada. Entandem / One Submission, Two Licences, One Payment. All broadcasters on the Live365 platform are now covered for Canadian licensing through SOCAN and Re:Sound, in addition to the existing U.S. licensing through ASCAP, BMI, SESAC, and SoundExchange.. As a result, we have removed the sitewide geo-block! My friend is a pop producer in LA. In all cases, every event is subject to a minimum fee of $15. SOCAN and Re:Sound administer different sets of rights which are relevant to these kinds of situations: SOCAN administers the public performance right in musical compositions (for the benefit of composers and publishers), while Re:Sound administers the public performance right in sound recordings (for the benefit of performers and makers). Re:Sound. This tariff only applies where recorded music is played as part of the live entertainment. Jurassic Nerd. Entandem  News. They collect license fees, then distribute the fees as royalties to their members and … What the song. Co-owned and overseen by RE:SOUND and SOCAN, Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. Where SOCAN represents composers, songwriters, and publishers, Re:Sound represents artists and record companies. Therefore, playing music at a charitable event can be exempt from SOCAN or Re:Sound tariffs if the organization performing the music is a charitable organization and the performance furthers a charitable object. If the venue capacity is not ascertainable, then the royalties are calculated by multiplying the number of square meters of the area to which the public has access by the number of days of operation during which the background music was played, multiplied by 0.2910¢. When music is created, anywhere in the world, the people who hold a copyright for that music expect some kind of payment. fitness, skating, dance instruction, etc.). We're the premier digital performance rights organization in the world, with a mission to support, protect and propel the music industry forward. To learn more, visit entandemlicensing.com. McAllister:There is no fee to register and be represented by ACTRA RACS; we deduct an admin fee only when royalty payment… He used to play in a progressive funk band in Minneapolis back in the day and our bands used to play shows around the Midwest together when I was a rock/pop singer/songwriter. If recorded music is played at these events, the organizations are also required to pay Re:Sound tariffs. If both SOCAN tariffs and Re:Sound tariffs apply, then royalties are due to both entities. Re-Sound Studio. For more than 80 years now, SOCAN, a not-for-profit company, All Re:Sound royalties are split 50/50 between performers and makers. 5.D – Festivals, Exhibitions and Fairs: fee per event is dependent on average daily attendance, ranging from $8 to $600 per day of the event as follows: Tariff No. live music, recorded music, radio music) and whether dancing is involved, so UBC can determine what the SOCAN and/or Re:Sound fees will be, and also include checkmarks for which facility or room is being rented, so that UBC can determine room capacity. There are two main copyright collective societies, also known as performance rights organizations (PRO), in Canada who deal with musical copyrights by collecting fees and distributing royalties to the rights holders -- SOCAN and Re:Sound. The transfer of your SOCAN licensing account to Entandem will take place this summer. Smart tech to take the stress away . Re:Sound Licence Needed? Article image: Michael Mroczek via Unsplash. Entandem is a joint venture between RE:SOUND and SOCAN, created to simplify the licensing process so you can play all the music you want in your business legally and ethically, ensuring that those who made the music are compensated. Re:Sound wanted to characterize pre-existing sound recordings(not written specifically for film)—saying a sound recording is a constituent part of the sound track and is not just a sound. Depending on the category a music user falls under, if at all, license fee may be payable on a per-event or annual basis. SOCAN CEO Eric Baptiste, added: “RE:SOUND and SOCAN getting together for Entandem means a strengthened ability to reach more businesses that should be paying both music licenses that provide vital support to music creators, especially the emerging and middle-class ones. There are two PROs in Canada, and SOCAN is only one of them. When music is played publicly in a business or academic institution you may be required to make payments to SOCAN, Re:Sound, or … Live365 is dedicated and passionate about giving webcasters the best place to stream on the internet. Not Now. Tariff No.5.K – Theatrical, Dance and Other Similar Live Performances: fee per event is dependent upon the amount of sound recordings played. Depending on how many wedding guests are present, the “tax” payable to SOCAN and Re:Sound can be as much as $253.45, if recorded music is used. Both Re:Sound and SOCAN collect separate and distinct performance rights licence fees. test or test × Interested in learning more? Music tariffs are not applicable to your business if you are playing broadcast radio such as AM or Live365 and Canadian Music Licensing Re:Sound collects on behalf of the master rights owners of sound recordings and collects performance royalties. By way of example, if you are playing COPIED sound recordings from your hard drive, you require a CONNECT Music Licensing licence. In saying that he sympathizes with “Re:Sound and Music Canada about the low value assigned to THEIR rights”, he separates SOCAN from that part of the industry and forgets to fight for OUR rights – all of our rights. BMI. They represent recording artists and music labels. According to the organization's website, the other PRO (Re:Sound) has a slightly different business model. playing music in a classroom setting); the performance in public of a work at the time of its communication to the public by telecommunication and/or. With Entandem, retailers, restaurants, nightclubs, fitness clubs and myriad other organizations that use music will be able to complete their legally-required licenses in a single transaction. Genre Soca & Dancehall Comment by Blaque Aquarius. Why do we have to pay Re:Sound if we already pay SOCAN. SOCAN CEO Eric Baptiste added: "RE:SOUND and SOCAN getting together for Entandem means a strengthened ability to reach more businesses that should be … Now with added Epic Sound Effects and music.⭕ Get Soundpack DELUXE The most complete & Easy to use Soundpack EVER. Re:Sound currently monitors and imposes 8 different tariffs, which have been approved by the Copyright Board of Canada. The licence fees collected by each collective go to different stakeholders. Both SOCAN and re:SOUND are non for profits the fees that they collect are then distributed to Music Producers, agencies, performers and songwriters. Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. There are some limited exceptions that may apply to educational institutions, as described below. Home; Cases & Tariffs; Documents > Approved Tariffs > SOCAN, Re:Sound - Tariff for CBC Radio, 2006-2011 They represent song-writers like Taylor Swift, Lil Wayne, Mariah Carey, John Legend, Lady Gaga, Eminem, (members of ) Maroon 5, Michael Jackson, Linkin Park, Sam Cooke, Willie Nelson, Loretta Lynn, Dolly Parton, Fats Domino, Rihanna, John Williams and Danny Elfman. When searching for music rights for live performing arts, it is possible that you will need to apply for the recording rights as well as composition rights.Composition rights are usually handled with SOCAN, but the recording rights are taken care of at Re:Sound. Re:Sound While SOCAN collects fees on behalf of composers, authors and music publishers, Re:Sound collects fees on behalf of the rights owners of … But they don’t cover recorded music used during the show. The cost of such SOCAN and/or Re:Sound fees can be passed onto the renter of the premises. Eric Baptiste, SOCAN . A single song can have multiple songwriters, composers, recording artists, and musicians just to name a few. Presumably, SOCAN’s and Re:Sound’s roving inspectors don’t count as “guests”. We look forward to working with you through Entandem and sharing more with you about transferring to Entandem, in the next several weeks. If the amount of attendees is uncertain, then the fee is calculated by the capacity of the establishment and multiplying that figure by 0.01745¢. Regarding how much SOCAN is paying, it is the greater of two options. In all cases, a minimum fee of $74.72 applies. Don't worry about the hassle of reporting to SOCAN and Re:Sound each month -- Live365 will handle all of that! With Live365, start your own internet radio station or listen for free to thousands of stations. Start your own internet radio station or just listen to online radio for free. However, if you want to use music for non-educational purposes, for example, for background music at a conference or in an athletic facility, a licence must be obtained from the copyright collective SOCAN. These contributors are the artists that are widely known for their audible performances, like Celine Dion, *NSYNC, and Michael Jackson. By working together, RE:SOUND and SOCAN will eliminate duplication, reaching more music users to ensure that music creators are legally, fairly and ethically compensated for their music. UBC is required to pay SOCAN tariffs when it rents out its facilities (e.g. There must be a closer link between the performance and the charitable object of the organization – they must be directly connected, or the performance must be incidental to the object. As a result of the agreements, Live365 has removed the sitewide geo … Launched in July 2019. Ian MacKay, the President of RE:SOUND since 2009, will be leaving the organization – which collects performance royalties for artists and record labels – at the end of the year. (If only live and no recorded music is used, Re:Sound needn't be paid). Payments to both companies are required by all Skate Canada clubs and skating schools. In Canada, publishers and songwriters receive royalties for such use from the Society of Composers, Authors and Music Publishers of Canada (SOCAN), a performing rights society which collects revenues from broadcasters and others for the public performance of musical works. The relevant Re:Sound tariff for the purposes of UBC facility rentals for receptions (including weddings), conventions, video game events, assemblies and fashions shows is Tariff No. Notably, if the establishment has a subscription with a music supplier, that music supplier may have already paid the royalties to Re:Sound for use of the background music, in which case the establishment would not be responsible for paying the royalties under Tariff 3.B. Re: Sound and the Society of Composers, Authors and Music Publishers of Canada (SOCAN) say they are ready to launch a B2B joint venture known as Entandem, which is co-owned by the two licensing organizations. Why both? 5B – Receptions, Conventions, Assemblies and Fashion Shows. Your subscription includes all performance, mechanical, and public performance licenses (SOCAN and Re:Sound) needed to legally play music in your business, with few exceptions. What licenses does SoundExchange administer/what royalties does SX administer? When you listen to Feist’s cover of Ron Sexsmith’s “Secret Heart” on SirusXM, the satellite broadcaster pays royalties to Re:Sound and SOCAN for the public performance of this song. Instead of tracking every single person or company down to get permission to play just one single song, you can report what you have played to SOCAN and Re:Sound (separately), pay a fee to each organization, and SOCAN will handle paying royalties to publishers, lyricists, songwriters, and composers while Re:Sound will pay royalties to recording artists and record labels. If none of these apply, then the annual royalty payable is a flat fee of $49.85. JOIN NOW. There may also be exceptions for playing music at some types of charitable or religious events but specific conditions need to be met. Re:Sound has a similar, although slightly more streamlined, tariff structure for retail, hospitality and similar businesses. Jazz news: SOCAN, RE:SOUND Join To Simplify Performance Licensing. There may also be exceptions for playing music at some types of charitable or religious events but specific conditions need to be met. (i) the live performance in public of a musical work, or AceMaestro Gaming. 32.3 For the purposes of sections 29 to 32.2, an act that does not infringe copyright does not give rise to a right to remuneration conferred by section 19.”. In all cases, a minimum fee of $94.51 applies. In 2019, RE:SOUND launched a licensing joint venture with SOCAN to simplify the licensing process. However, the performance of a musical work at a benefit where all profits go to charity does not necessarily constitute a performance in furtherance of a charitable object. Co-owned and overseen by RE:SOUND and SOCAN, Entandem brings the music licensing now managed separately by each organization into a single, jointly-operated business. SOCAN serves music creators, music publishers and visual artists, ensures users are Licensed to Play, and collects/distributes royalties in Canada and worldwide. The following performances (provided that they are not based on, or use, an infringing copy of the work) are allowed by educational institutions and persons acting under the authority of an educational institution, if performed on UBC premises for educational or training purposes and not for profit, before an audience consisting primarily of students, faculty or any person who is directly responsible for setting a curriculum for UBC: Also, pursuant to Section 69(2) of the current Copyright Act, if you have radio playing from a traditional radio receiving set, in any place other than a theatre for which admission is paid, you do not need to pay an additional tariff (as the radio station has paid SOCAN under SOCAN Tariff 1A or 1B and has paid Re:Sound under Re:Sound Tariff No. 5.H – Sporting Events: fee per event is 0.048% of gross ticket sales, which includes any processing and service charges levied with respect of the ticket price. Therefore, if UBC hosts an event that is subject to a SOCAN and/or Re:Sound tariff(s) at which it plays internet radio, the SOCAN and/or Re:Sound fees would still apply. rooms, gardens, halls, etc.) 1.A): “Radio performances in places other than theatres, 69(2) In respect of public performances by means of any radio receiving set in any place other than a theatre that is ordinarily and regularly used for entertainments to which an admission charge is made, no royalties shall be collectable from the owner or user of the radio receiving set, but the Board shall, in so far as possible, provide for the collection in advance from radio broadcasting stations of royalties appropriate to the conditions produced by the provisions of this subsection and shall fix the amount of the same.”. This will make it easier for creators and users alike, hopefully. This document provides some general information about SOCAN and Re:Sound fees and potential applicability of these fees to UBC facilities. Tariff 21 – Recreational Facilities Operated by a Municipality, School, College, University, Agricultural Society or Similar Community Organizations: Annual fee: $185.07 for each facility, if the total revenue does not exceed $15,422.88. Live365 is very excited to announce that we are now open for listening in Canada! Where SOCAN represents composers, songwriters, and publishers, Re:Sound represents artists and record companies. SOCAN pays songwriters and publishers of musical works and Re:Sound pays performers and makers of sound recordings. (ii) a sound recording embodying a musical work or a performer’s performance of a musical work. When you listen to Feist’s cover of Ron Sexsmith’s “Secret Heart” on SirusXM, the satellite broadcaster pays royalties to Re:Sound and SOCAN for the public performance of this song. There are lyrics and notes. Tariff No. TEXT: Resound argues that 'soundtrack is used in s 2. refers only to___ of sounds accompanying ___ ___ not the soundtracks constituent parts. With powerful broadcasting tools, generous revenue share, listening distribution, and stream licensing for music royalties, Live365 is the best one-stop-shop for your internet radio station. Apply now for 2021 TD Incubator for Creative Entrepreneurship. Information about SOCAN and Re:Sound Fees By Allan Bell on April 24, 2013 Music played at UBC for non-educational purposes may require a licence from SOCAN and/or Re:Sound. Still, the Board certified a tariff based upon a simple calculation flowing from some SOCAN agreements with various fitness centres and dance class providers, filed at the Board’s request. Sometimes these contributors are behind-the-scenes and not audibly heard on the record. The performance royalties collected by SOCAN and Re:Sound are the responsibility of the venues. Pages Liked by This Page. UBC can pass the SOCAN and/or Re:Sound fees to the renter/users of the facilities by adding the SOCAN and Re:Sound fees to the final rental rate calculation, but UBC retains the responsibility to pay such fees to SOCAN and/or Re:Sound, as the case may be. SoundExchange administers the statutory license, which allows services to stream artistic content while paying a fixed rate for each play. The hassle of reporting to SOCAN will remain the same go to different stakeholders Sound need n't be )... Savings on SOCAN and Re: Sound has a similar, although slightly more streamlined, tariff for... And licensing are often shown as separate line items on venue rental agreements when they apply the. | Via @ howardknopf on twitter & the Ottawa Citizen each month -- Live365 will all! The hassle of reporting to SOCAN with 400+ ready-made playlists and AI stations that fit business! Intended as legal advice at www.socan.ca these fees are often shown as separate line items on venue rental.. 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